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At Death's Door: Boo Junfeng's Apprentice and Capital Punishment in Singapore

At Death's Door: Boo Junfeng's Apprentice and Capital Punishment in Singapore

Singaporean director Boo Junfen's sophomore, Un Certain Regard–screening feature depicts a young prison guard's...
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Cinema After Cinema: Filipino Director Lav Diaz and His Independence

Cinema After Cinema: Filipino Director Lav Diaz and His Independence

The films of Filipino auteur Lav Diaz are cinematic epics, chronicling the nation's centuries-long struggles with...
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Boy, Interrupted: Teenage Kicks and Queer Authenticity

Boy, Interrupted: Teenage Kicks and Queer Authenticity

Craig Boreham's feature debut dramatises the coming of age – and coming out – of a queer teenager from a...
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Dreaming of a Red Christmas: Craig Anderson on Australian Horror

Dreaming of a Red Christmas: Craig Anderson on Australian Horror

In Red Christmas, a mother unites her family one final time to celebrate the holidays before their isolated country home...
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Lingering Spectres: Michael Petroni's Backtrack

Lingering Spectres: Michael Petroni's Backtrack

Despite its masterful use of haunting imagery and the affecting performance by Hollywood star Adrien Brody, the...
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Balancing Acts: Ivan Sen's Goldstone and Outback Noir

Balancing Acts: Ivan Sen's Goldstone and Outback Noir

In his follow-up to 2013's gripping Mystery Road, writer/director Ivan Sen maintains political momentum by depicting the...
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Ancestor Worship: The Earthly Paradise of Jane Campion's Universe

Ancestor Worship: The Earthly Paradise of Jane Campion's Universe

In Australia and New Zealand, at a time when the politics of our cultural identities have temporarily replaced...
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All that Patriarchy Allows: The Melodrama of 'The Piano'

All that Patriarchy Allows: The Melodrama of 'The Piano'

An internationally-produced 'art' film set in New Zealand is unlikely to enjoy wide popular audience appeal. Yet The...
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Our Very Own Mid-Life Crisis

Our Very Own Mid-Life Crisis

Both David Buckingham and I were given the brief, by the conference organisation, to talk about the future of media...
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Freddy and the Kids

Freddy and the Kids

Central to the debate regarding children and television has been the issue of violence and anti-social influences.
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Bitter Chocolate: Gender Equity and Prime Time Magazine Sport on New Zealand Television

Bitter Chocolate: Gender Equity and Prime Time Magazine Sport on New Zealand Television

Moro bars are one of new Zealand's largest-selling chocolate confectionery lines with more than 25 million produced...
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Democracy and Education

Democracy and Education

Noam Chomsky, long-time political activist, writer and professor of linguistics at MIT, is the author of numerous books...
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'Heavenly Creatures': An Appreciation

'Heavenly Creatures': An Appreciation

The nub of what I want to say is that Peter Jackson's Heavenly Creatures is an extraordinary film, and if you've not...
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Coming Home and Going On: Richard Franklin's 'Hotel Sorrento'

Coming Home and Going On: Richard Franklin's 'Hotel Sorrento'

A scene in which a half-dozen or so people sit around a lunch table heatedly discussing Australian culture, religion,...
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Gillian Armstrong's 'Little Women'

Gillian Armstrong's 'Little Women'

There are certain films that set off very pleasurable vibrations in me as I watch them. It's some mood, some texture in...
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Principles for Interactive Design and Development

Principles for Interactive Design and Development

Thinking interactively means setting aside many of the established conventions for developing publications and...
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Eloquent Interfaces

Eloquent Interfaces

Successful interfaces are often characterised by a high degree of interaction between the user and computer. This paper...
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The Multimedia Thing

The Multimedia Thing

Multimedia: nobody is quite sure what it is, or why it is so sexy, but everybody wants to get a piece of it. This paper...
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A Day in the Life: Bruce Hodsdon

A Day in the Life: Bruce Hodsdon

Bruce Hodsdon, Manager of the Film & Video Lending Service at the National Library, Canberra and Curator of the...
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Only a Reflection? Sexual Violence on Screen

Only a Reflection? Sexual Violence on Screen

Why do so many films and TV programs contain scenes of sexual violence? Is it 'only a reflection' of our society, or do...
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Rictus, Waiting

Rictus, Waiting

More than twenty years ago I began to be interested in the earliest Lumière films. Initially this interest had to...
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French Film-Crit Takes a Holiday: 'Les Cahiers' Do Desert-island Discourse

French Film-Crit Takes a Holiday: 'Les Cahiers' Do Desert-island Discourse

In September 1994, Les Cahiers du Cinema published a substantial article on the subject of Australian cinema, under the...
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Therapy at the Movies

Therapy at the Movies

Recent (at the time of writing in 1995) films like Fearless (Peter Weir, 1993) and When a Man Loves a Woman (Luis...
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The Discursive Space of Identity: 'The Oprah Winfrey Show'

The Discursive Space of Identity: 'The Oprah Winfrey Show'

In this article I want to carefully consider the degree of 'open' participation available on the chat show.
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When the Film Recognizes 'You'

When the Film Recognizes 'You'

What do you do when you have a script based on the assumptions pertaining to the Cold War and the 'war' no longer...
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The Independence of Form: The 19th Hong Kong International Film Festival

The Independence of Form: The 19th Hong Kong International Film Festival

This article is an analysis of the 19th Hong Kong International Film Festival ,which took place between 7–22...
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Melbourne and Sydney Film Festival Reviews: Documentary Films

Melbourne and Sydney Film Festival Reviews: Documentary Films

In this year (1995) in which the centenary of cinema is being celebrated, it is worth remembering that the cinema began...
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The Sleep of Reason

The Sleep of Reason

Is it possible for the human imagination to come to terms with events such as the Holocaust and the atomic bombing of...
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Latcho Drom

Latcho Drom

As flames lick the screen against a dark sky at the start of Latcho Drom (Tony Gatlif, 1993), a disembodied voice...
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Getting What You Want on Screen: A Filmmaker's Guide to Defamation, and Privacy Laws

Getting What You Want on Screen: A Filmmaker's Guide to Defamation, and Privacy Laws

This paper sets out, in executive summary form, some of the rules and laws in relation to defamation and privacy laws in...
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