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Image, Influence and Independence: A Look Inside the Great Magazines

Image, Influence and Independence: A Look Inside the Great Magazines

Inside the Great Magazines is a three-part series that introduces viewers to the world of magazines, from their...
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Enjoying Film Studies: The Necessity of Emotion

Enjoying Film Studies: The Necessity of Emotion

Our emotional responses to films are of the utmost importance, writes Alex Gerbaz, whether we are studying them or...
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Conceptualising Outstanding Directors' Thought Processes: Guidelines for Teaching Cinema

Conceptualising Outstanding Directors' Thought Processes: Guidelines for Teaching Cinema

A focus on camera, sound and editing do not necessarily provide students with an understanding of the actual thought...
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Fate, Chance and Fabulous Destiny: Amelie in the Classroom

Fate, Chance and Fabulous Destiny: Amelie in the Classroom

Amélie lends itself perfectly to the study of a film as text in English from Years 9 to 11. It deals with ideas...
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Better to Be a Dancer than a Miner: Commonalities in Billy Elliot

Better to Be a Dancer than a Miner: Commonalities in Billy Elliot

Film as Text. Billy Elliot is a deceptively complicated film, writes Jon Judy, and … one that uses traditional...
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Aliens: Mothers, Monsters and Marines

Aliens: Mothers, Monsters and Marines

Film as Text. James Cameron's 1986 film Aliens contains a fascinating exploration of the way Western culture has...
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Jindabyne: Calling the Past to Account

Jindabyne: Calling the Past to Account

Film as Text. Jindabyne (Ray Lawrence, 2006) dramatises the struggle over Australia's history that has become known as...
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Bad Luck in Threes: Coin Tosses and Death Triangles in No Country for Old Men

Bad Luck in Threes: Coin Tosses and Death Triangles in No Country for Old Men

Film as Text. The three main characters in No Country for Old Men (Joel and Ethan Coen, 2007) form an unsettling...
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Matters of Life and Death: Matching Jack, Little Sparrows and The Tree

Matters of Life and Death: Matching Jack, Little Sparrows and The Tree

Three new Australian films mine some rich emotional ground, writes Fincina Hopgood. The themes of loss and grief, hope...
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Battleground Oz: Tomorrow, When the War Began

Battleground Oz: Tomorrow, When the War Began

Acclaimed screenwriter Stuart Beattie discusses adapting John Marsden's classic book, overseas success and the lack of...
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Helpless Baby, Evil Child: The Loved Ones

Helpless Baby, Evil Child: The Loved Ones

Despite some missed opportunities and a somewhat American premise, Sean Byrne's prom horror flick The Loved Ones...
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Brief Encounters: MIFF Shorts 2010

Brief Encounters: MIFF Shorts 2010

Looks at The Lost Thing (Andrew Ruhemann and Shaun Tan, 2010), Manurewa (Sam Peacocke, 2010), Pinion (Asuka Sylvie,...
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Painting a Motion Picture: An Interview with Shaun Tan

Painting a Motion Picture: An Interview with Shaun Tan

Acclaimed illustrator Shaun Tan has collaborated on a new short film of his book The Lost Thing. Rjurik Davidson talks...
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Family Business: An Australian Genre?

Family Business: An Australian Genre?

Brian McFarlane celebrates some recent Australian features that take family dynamics as a central theme and are willing...
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Call and Response: Taika Waititi's Boy

Call and Response: Taika Waititi's Boy

Lisa Perrott examines how the construction of Taika Waititi's Boy might engender complex, nuanced responses from...
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Imagined Memory: Gaylene Preston on Home by Christmas

Imagined Memory: Gaylene Preston on Home by Christmas

New Zealand filmmaker Gaylene Preston speaks to Geoff Lealand about a very personal project – a fascinating mix of...
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A Holding Pattern: Asian Cinema at the Melbourne International Film Festival

A Holding Pattern: Asian Cinema at the Melbourne International Film Festival

Mike Walsh finds a slightly lacklustre Asian cinema program at this year's MIFF, but one that nevertheless reveals some...
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Less Dancing, More Darkness: Peepli Live

Less Dancing, More Darkness: Peepli Live

Boris Trbic reports on a new, dark trend in Indian cinema, with a particular focus on Anusha Rizvi's fast-paced...
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Better to Burn Out than to Fade Away: Mother of Rock

Better to Burn Out than to Fade Away: Mother of Rock

Paul Clarke's punchy portrait of 1960s music visionary Lillian Roxon goes some way towards redressing the obscurity of...
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Teaching Documentary Filmmaking: Reflections on Ten Years at the VCA

Teaching Documentary Filmmaking: Reflections on Ten Years at the VCA

Steve Thomas reflects on his years teaching at the VCA. The decade during which he taught was a period of dramatic...
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Beyond the Frame: Facing the Music

Beyond the Frame: Facing the Music

This is the second article in a three-part series that considers the way in which the interaction between filmmaker and...
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Document: Drive

Document: Drive

Drive addresses the issue of the above-average road toll for young men in rural north-west Tasmania. The film is infused...
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Document: New Beijing

Document: New Beijing

Georgia Wallace-Crabbe's New Beijing: Reinventing a City (2009) is a nuanced comment about the rapid urbanisation of...
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Document: The Snowman

Document: The Snowman

Language and truth, central themes in The Snowman (2009), the story of mountaineer Jimmy Graham, prove to be slippery...
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Document: Three Boys Dreaming

Document: Three Boys Dreaming

Three Boys Dreaming (Michael Cordell, 2009) tells the story of a complex set of social, cultural and political issues...
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Document: Strange Birds in Paradise - A West Papuan Story

Document: Strange Birds in Paradise - A West Papuan Story

The tagline for Strange Birds in Paradise – A West Papuan Story (Charlie Hill-Smith, 2009) is 'Music can rise...
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Document: Mind and Eye

Document: Mind and Eye

Viewed individually, there are many differences between the stories told in the documentaries Mind (Emma Crimmings,...
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Lingering in the Chambers of Romanticism: Poetic Landscapes in Till Human Voices Wake Us

Lingering in the Chambers of Romanticism: Poetic Landscapes in Till Human Voices Wake Us

Pre-Raphaelite imagery and a painterly style provide rich insights into character in this haunting film, writes Felicity...
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Paradise Post-National: Landscape, Location and Senses of Place in Films Set in Queensland

Paradise Post-National: Landscape, Location and Senses of Place in Films Set in Queensland

Drawing on a range of representations, Allison Craven examines the significant role of landscape in deriving narrative...
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Landscapes as Characters: Film, Tourism and a Sense of Place

Landscapes as Characters: Film, Tourism and a Sense of Place

Reflecting on fieldwork experiences, Sue Beeton identifies the starring role of the high country in The Man From Snowy...
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