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The NFSA's Kodak/Atlab Cinema Collection: Pure S

The NFSA's Kodak/Atlab Cinema Collection: Pure S

Bert Deling's Pure S (aka Pure Shit) is one of the most culturally instructive films of the Australian revival...
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Being Seen, Being Heard: Minorities and the Media in Australia

Being Seen, Being Heard: Minorities and the Media in Australia

Why are there never any 'good news' stories about race relations in Australia? What can minority groups do to get their...
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I'm Not There: The Future of the Musical Biopic

I'm Not There: The Future of the Musical Biopic

Todd Haynes' film about the life of Bob Dylan, I'm Not There, eschews the route taken by more traditional entries in the...
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Director as 'Adrenaline Junkie' - Take Two: Revisiting Kathryn Bigalow After The Hurt Locker

Director as 'Adrenaline Junkie' - Take Two: Revisiting Kathryn Bigalow After The Hurt Locker

Kathryn Bigelow has persisted as a rare woman in Hollywood: a female director of intriguing genre (and gender)...
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Glaze Cultures: Urban and Location-Aware Gaming

Glaze Cultures: Urban and Location-Aware Gaming

As the Internet and mobile technologies become more pervasive in everyday life, this shift is reflected within the...
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Tim Burton: The Exhibition: Into the Weird and Wonderful Mind of Cinema's Most Popular Outsider

Tim Burton: The Exhibition: Into the Weird and Wonderful Mind of Cinema's Most Popular Outsider

Thomas Caldwell explores the recent Tim Burton exhibition held at Melbourne's ACMI, linking the illuminated themes to...
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O Frabjous Day!: Tim Burton's Alice in Wonderland

O Frabjous Day!: Tim Burton's Alice in Wonderland

Tim Burton's take on the Alice in Wonderland story is curious, inventive, funny, visually stunning and neither too long...
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On the Job: The Case for Industry Placements

On the Job: The Case for Industry Placements

Media industry placements are a 'win-win-win' scenario. However, in Australia, placements are highly limited, often...
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Illuminating Animation: Games Animator Chris Dardis

Illuminating Animation: Games Animator Chris Dardis

Chris Dardis is a graduate of the prestigious Vancouver Film School and currently works as a lead animator at Torus...
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Internet Censorship: The Debate Rages On

Internet Censorship: The Debate Rages On

A fierce debate rages in Australia over the best way to tackle the problem of harm, both real and potential, from...
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A Handshake and a Smile: Video-making, Young People and Mental Health

A Handshake and a Smile: Video-making, Young People and Mental Health

This article examines a recent community program that taught basic video-making skills to rural young people with mental...
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My Place Revisited: More Ideas for Classroom Activities and Analysis

My Place Revisited: More Ideas for Classroom Activities and Analysis

In Screen Education 58, Christine Evely introduced the My Place series and its supporting materials. She highlighted key...
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Primary Publishers: Children as Producers of Media Texts

Primary Publishers: Children as Producers of Media Texts

One key aspect of digital learning where teachers, including primary school teachers, will need to assist students is...
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Digital Photography: Part 1: Selecting Your Equipment

Digital Photography: Part 1: Selecting Your Equipment

This is the first article in a series that will look at introducing digital photography to the secondary classroom. This...
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Image, Influence and Independence: A Look Inside the Great Magazines

Image, Influence and Independence: A Look Inside the Great Magazines

Inside the Great Magazines is a three-part series that introduces viewers to the world of magazines, from their...
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Enjoying Film Studies: The Necessity of Emotion

Enjoying Film Studies: The Necessity of Emotion

Our emotional responses to films are of the utmost importance, writes Alex Gerbaz, whether we are studying them or...
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Conceptualising Outstanding Directors' Thought Processes: Guidelines for Teaching Cinema

Conceptualising Outstanding Directors' Thought Processes: Guidelines for Teaching Cinema

A focus on camera, sound and editing do not necessarily provide students with an understanding of the actual thought...
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Fate, Chance and Fabulous Destiny: Amelie in the Classroom

Fate, Chance and Fabulous Destiny: Amelie in the Classroom

Amélie lends itself perfectly to the study of a film as text in English from Years 9 to 11. It deals with ideas...
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Better to Be a Dancer than a Miner: Commonalities in Billy Elliot

Better to Be a Dancer than a Miner: Commonalities in Billy Elliot

Film as Text. Billy Elliot is a deceptively complicated film, writes Jon Judy, and … one that uses traditional...
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Aliens: Mothers, Monsters and Marines

Aliens: Mothers, Monsters and Marines

Film as Text. James Cameron's 1986 film Aliens contains a fascinating exploration of the way Western culture has...
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Jindabyne: Calling the Past to Account

Jindabyne: Calling the Past to Account

Film as Text. Jindabyne (Ray Lawrence, 2006) dramatises the struggle over Australia's history that has become known as...
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Bad Luck in Threes: Coin Tosses and Death Triangles in No Country for Old Men

Bad Luck in Threes: Coin Tosses and Death Triangles in No Country for Old Men

Film as Text. The three main characters in No Country for Old Men (Joel and Ethan Coen, 2007) form an unsettling...
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Matters of Life and Death: Matching Jack, Little Sparrows and The Tree

Matters of Life and Death: Matching Jack, Little Sparrows and The Tree

Three new Australian films mine some rich emotional ground, writes Fincina Hopgood. The themes of loss and grief, hope...
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Battleground Oz: Tomorrow, When the War Began

Battleground Oz: Tomorrow, When the War Began

Acclaimed screenwriter Stuart Beattie discusses adapting John Marsden's classic book, overseas success and the lack of...
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Helpless Baby, Evil Child: The Loved Ones

Helpless Baby, Evil Child: The Loved Ones

Despite some missed opportunities and a somewhat American premise, Sean Byrne's prom horror flick The Loved Ones...
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Brief Encounters: MIFF Shorts 2010

Brief Encounters: MIFF Shorts 2010

Looks at The Lost Thing (Andrew Ruhemann and Shaun Tan, 2010), Manurewa (Sam Peacocke, 2010), Pinion (Asuka Sylvie,...
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Painting a Motion Picture: An Interview with Shaun Tan

Painting a Motion Picture: An Interview with Shaun Tan

Acclaimed illustrator Shaun Tan has collaborated on a new short film of his book The Lost Thing. Rjurik Davidson talks...
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Family Business: An Australian Genre?

Family Business: An Australian Genre?

Brian McFarlane celebrates some recent Australian features that take family dynamics as a central theme and are willing...
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Call and Response: Taika Waititi's Boy

Call and Response: Taika Waititi's Boy

Lisa Perrott examines how the construction of Taika Waititi's Boy might engender complex, nuanced responses from...
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Imagined Memory: Gaylene Preston on Home by Christmas

Imagined Memory: Gaylene Preston on Home by Christmas

New Zealand filmmaker Gaylene Preston speaks to Geoff Lealand about a very personal project – a fascinating mix of...
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