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Borders that are Bittersweet: The Cost of Patriarchal Resistance for Women in The Lemon Tree

Borders that are Bittersweet: The Cost of Patriarchal Resistance for Women in The Lemon Tree

The female characters in Eran Riklis' The Lemon Tree attempt to negotiate the struggle between Western feminist ideas...
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Documentary, Philanthropy and HOPE: The Story Behind Community Targeted Distribution

Documentary, Philanthropy and HOPE: The Story Behind Community Targeted Distribution

Distributor Gil Scrine outlines the genesis of a new scheme aimed at extending documentary audiences beyond the reach of...
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Beyond our Ken: Talking to the Filmmakers

Beyond our Ken: Talking to the Filmmakers

Melissa Maclean and Luke Walker, 2008 AFI Award nominees for Best Documentary and Best Direction in a Documentary, speak...
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Where Do We Come From? What Are We? Where Are We Going?: History, Story and Television

Where Do We Come From? What Are We? Where Are We Going?: History, Story and Television

In 2005 Trevor Graham wrote and directed Hula Girls for SBS TV, Avro (Holland) and Arte (France/Germany). The program...
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Scribes on Screen: Gilles Deleuze

Scribes on Screen: Gilles Deleuze

Gilles Deleuze was one of the eminent French philosophers of the late twentieth century, and few writers on cinema have...
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Australian Screen Culture in 2009: Where We Are, Where We're Going

Australian Screen Culture in 2009: Where We Are, Where We're Going

Tina Kaufman posits some ways forward for screen culture in Australia. She discusses the nature of screen culture,...
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Cinephiles and True Believers: The AFI in the 1950s and 1960s

Cinephiles and True Believers: The AFI in the 1950s and 1960s

The early years of the AFI (which was established in 1958) are significant in painting a picture of the antecedents of...
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The Evaporating Image

The Evaporating Image

Hunter Cordaiy reflects on the shifting place of the image in our culture, looking at the repositioning of the role of...
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The NFSA's Kodak/Atlab Cinema Collection: The Cars That Ate Paris

The NFSA's Kodak/Atlab Cinema Collection: The Cars That Ate Paris

This NFSA Kodak/Atlab Cinema Collection essay looks at The Cars That Ate Paris. Peter Weir's first feature production...
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A Curmudgeon's Canon: Random Thoughts on Summer Heights High, The Office and Other Nasty Pleasures

A Curmudgeon's Canon: Random Thoughts on Summer Heights High, The Office and Other Nasty Pleasures

Brian McFarlane explores the realm of 'cringe television', a place where documentary techniques, egotistical characters...
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Internet Saved the Video Star: The Renaissance of the Music Video

Internet Saved the Video Star: The Renaissance of the Music Video

Once a professional work of art to be savoured and hopefully taped for posterity, now anyone can make a clip for their...
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The Producer Offset in Focus: Intent and Reality

The Producer Offset in Focus: Intent and Reality

The Producer Offset replaced the 10B and 10BA tax concessions for film financing. In the first in a series of articles...
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Slim Chances for Small-Scale Success: Australian Films at the US Box Office Between 2003 and 2007

Slim Chances for Small-Scale Success: Australian Films at the US Box Office Between 2003 and 2007

The perceived crisis of Australian cinema has been well documented in recent years. However, far more often than not,...
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The Big Picture: Box Office Wrap - 2008 in Review

The Big Picture: Box Office Wrap - 2008 in Review

Though an Aussie in a joker suit and a local outback epic dominated the Australian cinema landscape, 2008 revealed that...
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Invisible Audiences for Australian Films?: Cinema and its Many Publics

Invisible Audiences for Australian Films?: Cinema and its Many Publics

The box office is no longer a meaningful indicator of a film's impact or influence, writes Ramon Lobato, and gauging the...
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Through the Lens - Interviews from the Australian Film Theory and Criticism Project: David Boyd

Through the Lens - Interviews from the Australian Film Theory and Criticism Project: David Boyd

David Boyd speaks to Noel King about the history of the Film Studies discipline he initiated at Newcastle University.
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Faraway, So Close? The Under-explored Relationship between Film Studies and Literary Studies

Faraway, So Close? The Under-explored Relationship between Film Studies and Literary Studies

In this article, adapted from a lecture he gave at the University of Newcastle in 2004 called 'Film and the Humanities',...
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History Goes Walkabout in Australia: Rethinking Indigenous Content and the Historical Film

History Goes Walkabout in Australia: Rethinking Indigenous Content and the Historical Film

Alice Burgin considers the fractious critical response to Baz Luhrmann's Australia and concerns about the film's...
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Fake Politics for the Real America: Frost/Nixon, W., Milk and the 2008 US Election

Fake Politics for the Real America: Frost/Nixon, W., Milk and the 2008 US Election

The hyperreal permeates three 'political' films released around the time of the 2008 US presidential election, as well...
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The Peripheral Bad Object: Australian Home Movies 1909-1930, Part Two

The Peripheral Bad Object: Australian Home Movies 1909-1930, Part Two

This second instalment of a two-part series documents little-seen interactions between Indigenous and non-Indigenous...
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Bruce Meets Li: Mao's Last Dancer

Bruce Meets Li: Mao's Last Dancer

Bruce Beresford's Mao's Last Dancer finds an uneasy place in the greater scheme of Australia's vacillating relationship...
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Thinking Through Tears: Mothers and Children in Blessed

Thinking Through Tears: Mothers and Children in Blessed

Ana Kokkinos' Blessed, a 'maternal melodrama', deals frankly and for the most part deftly with some confronting subject...
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Tough Love: Ana Kokkinos

Tough Love: Ana Kokkinos

Ana Kokkinos, the director of Head On (1998) and The Book of Revelation (2006) speaks to Hunter Cordaiy about her latest...
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Confrontational Poetry: Beautiful Kate

Confrontational Poetry: Beautiful Kate

Rachel Ward's feature directorial debut, Beautiful Kate, is poetic, visceral and adeptly executed, writes Siouxzi...
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A Little Hard to Stomach: Van Diemen's Land

A Little Hard to Stomach: Van Diemen's Land

Van Diemen's Land, Jonathan auf der Heide's film about Australian cannibal-convict Alexander Pearce, exemplifies many of...
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Strange Silence in Van Diemen's Land: An Interview with Jonathan auf der Heide

Strange Silence in Van Diemen's Land: An Interview with Jonathan auf der Heide

Emily Bullock speaks to Jonathan auf der Heide after the screening of his film Van Diemen's Land at the 2009 Sydney Film...
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Not Yet Grown: Cedar Boys

Not Yet Grown: Cedar Boys

Serhat Caradee's first feature Cedar Boys, set in the Lebanese community in suburban Sydney, plays it a little too safe,...
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Closing the Gap: Fathers, Sons and the Road in Charlie & Boots

Closing the Gap: Fathers, Sons and the Road in Charlie & Boots

Brian McFarlane finds himself pleasantly surprised by Charlie & Boots, a road movie starring Paul Hogan, writing...
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See How They Run: Sailors on Shore in Three Blind Mice

See How They Run: Sailors on Shore in Three Blind Mice

Matthew Newton's Three Blind Mice (2008) is a compelling exploration of Australian masculinity that demonstrates a deep...
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Lucky Country and the Shifting Cinematic Techniques of Kriv Stenders

Lucky Country and the Shifting Cinematic Techniques of Kriv Stenders

Director Kriv Stenders and actor/filmmaker Aden Young talk to Julian Shaw about technology, versatility and making films...
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