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Warwick Thornton and Kath Shelper on Making Samson and Delilah

Warwick Thornton and Kath Shelper on Making Samson and Delilah

At the 2009 BigPond Adelaide Film Festival, where Samson and Delilah, a film about the love story between two runaway...
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My Life as a Dog: Dean Spanley

My Life as a Dog: Dean Spanley

In his latest film Dean Spanley, New Zealand director Toa Fraser has achieved that rare feat: a film which is vastly...
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From Innocence to Experience: Making Films in New Zealand

From Innocence to Experience: Making Films in New Zealand

What is the tenor of the post-Lord of the Rings New Zealand film industry? Tim Bosanquet talks to those closest to the...
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Australian Nightmares: Suburban Surrealism in Beautiful

Australian Nightmares: Suburban Surrealism in Beautiful

Thriller and surrealist elements collide in Dean O'Flaherty's portrait of Australian suburbia, Beautiful – with...
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From Business to Beautiful: Writer/director Dean O'Flaherty

From Business to Beautiful: Writer/director Dean O'Flaherty

The suburbia of Beautiful is not the neo-realist one of the amiable Aussie battler in The Castle or Kenny. Rather, the...
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East/West Side Story: The Combination

East/West Side Story: The Combination

A new film takes a bold step in representing the seamier side of Australian race relations, writes Dave Hoskin. The...
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Tracing the Dividing Line Between What Was and What Is: Closed for Winter

Tracing the Dividing Line Between What Was and What Is: Closed for Winter

This adaptation of Georgia Blain's novel aims to reveal the pain and emotional turmoil that lie beneath the surface...
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Pulling No Punches: Masculinity and the Australian Dream in Two Fists One Heart

Pulling No Punches: Masculinity and the Australian Dream in Two Fists One Heart

A young boxer caught between two worlds provides the catalyst for a more complex consideration of masculinity, writes...
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You Ain't Nothin' but a Slumdog: Global Cinema and the Slumdog Millionaire Effect

You Ain't Nothin' but a Slumdog: Global Cinema and the Slumdog Millionaire Effect

A film about an Indian quiz show contestant, by a British director, dominated the Academy Awards but initially attracted...
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Borders that are Bittersweet: The Cost of Patriarchal Resistance for Women in The Lemon Tree

Borders that are Bittersweet: The Cost of Patriarchal Resistance for Women in The Lemon Tree

The female characters in Eran Riklis' The Lemon Tree attempt to negotiate the struggle between Western feminist ideas...
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Documentary, Philanthropy and HOPE: The Story Behind Community Targeted Distribution

Documentary, Philanthropy and HOPE: The Story Behind Community Targeted Distribution

Distributor Gil Scrine outlines the genesis of a new scheme aimed at extending documentary audiences beyond the reach of...
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Beyond our Ken: Talking to the Filmmakers

Beyond our Ken: Talking to the Filmmakers

Melissa Maclean and Luke Walker, 2008 AFI Award nominees for Best Documentary and Best Direction in a Documentary, speak...
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Where Do We Come From? What Are We? Where Are We Going?: History, Story and Television

Where Do We Come From? What Are We? Where Are We Going?: History, Story and Television

In 2005 Trevor Graham wrote and directed Hula Girls for SBS TV, Avro (Holland) and Arte (France/Germany). The program...
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Scribes on Screen: Gilles Deleuze

Scribes on Screen: Gilles Deleuze

Gilles Deleuze was one of the eminent French philosophers of the late twentieth century, and few writers on cinema have...
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Australian Screen Culture in 2009: Where We Are, Where We're Going

Australian Screen Culture in 2009: Where We Are, Where We're Going

Tina Kaufman posits some ways forward for screen culture in Australia. She discusses the nature of screen culture,...
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Cinephiles and True Believers: The AFI in the 1950s and 1960s

Cinephiles and True Believers: The AFI in the 1950s and 1960s

The early years of the AFI (which was established in 1958) are significant in painting a picture of the antecedents of...
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The Evaporating Image

The Evaporating Image

Hunter Cordaiy reflects on the shifting place of the image in our culture, looking at the repositioning of the role of...
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The NFSA's Kodak/Atlab Cinema Collection: The Cars That Ate Paris

The NFSA's Kodak/Atlab Cinema Collection: The Cars That Ate Paris

This NFSA Kodak/Atlab Cinema Collection essay looks at The Cars That Ate Paris. Peter Weir's first feature production...
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A Curmudgeon's Canon: Random Thoughts on Summer Heights High, The Office and Other Nasty Pleasures

A Curmudgeon's Canon: Random Thoughts on Summer Heights High, The Office and Other Nasty Pleasures

Brian McFarlane explores the realm of 'cringe television', a place where documentary techniques, egotistical characters...
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Internet Saved the Video Star: The Renaissance of the Music Video

Internet Saved the Video Star: The Renaissance of the Music Video

Once a professional work of art to be savoured and hopefully taped for posterity, now anyone can make a clip for their...
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The Producer Offset in Focus: Intent and Reality

The Producer Offset in Focus: Intent and Reality

The Producer Offset replaced the 10B and 10BA tax concessions for film financing. In the first in a series of articles...
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Slim Chances for Small-Scale Success: Australian Films at the US Box Office Between 2003 and 2007

Slim Chances for Small-Scale Success: Australian Films at the US Box Office Between 2003 and 2007

The perceived crisis of Australian cinema has been well documented in recent years. However, far more often than not,...
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The Big Picture: Box Office Wrap - 2008 in Review

The Big Picture: Box Office Wrap - 2008 in Review

Though an Aussie in a joker suit and a local outback epic dominated the Australian cinema landscape, 2008 revealed that...
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Invisible Audiences for Australian Films?: Cinema and its Many Publics

Invisible Audiences for Australian Films?: Cinema and its Many Publics

The box office is no longer a meaningful indicator of a film's impact or influence, writes Ramon Lobato, and gauging the...
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Through the Lens - Interviews from the Australian Film Theory and Criticism Project: David Boyd

Through the Lens - Interviews from the Australian Film Theory and Criticism Project: David Boyd

David Boyd speaks to Noel King about the history of the Film Studies discipline he initiated at Newcastle University.
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Faraway, So Close? The Under-explored Relationship between Film Studies and Literary Studies

Faraway, So Close? The Under-explored Relationship between Film Studies and Literary Studies

In this article, adapted from a lecture he gave at the University of Newcastle in 2004 called 'Film and the Humanities',...
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History Goes Walkabout in Australia: Rethinking Indigenous Content and the Historical Film

History Goes Walkabout in Australia: Rethinking Indigenous Content and the Historical Film

Alice Burgin considers the fractious critical response to Baz Luhrmann's Australia and concerns about the film's...
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Fake Politics for the Real America: Frost/Nixon, W., Milk and the 2008 US Election

Fake Politics for the Real America: Frost/Nixon, W., Milk and the 2008 US Election

The hyperreal permeates three 'political' films released around the time of the 2008 US presidential election, as well...
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The Peripheral Bad Object: Australian Home Movies 1909-1930, Part Two

The Peripheral Bad Object: Australian Home Movies 1909-1930, Part Two

This second instalment of a two-part series documents little-seen interactions between Indigenous and non-Indigenous...
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Idiot's Box: The Rapture: Barack Obama, Marketing and the Media

Idiot's Box: The Rapture: Barack Obama, Marketing and the Media

Steven Aoun looks at the 'marketing' of Barack Obama.
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