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The Rhythm of Thinking

The Rhythm of Thinking

Karen Pearlman asks how does an editor make decisions about where and when to cut in order to make a film 'feel' right....
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St Kilda Film Festival 2004 Wrap Up

St Kilda Film Festival 2004 Wrap Up

Karena talks to Festival Director, Paul Harris and judge Glendyn Ivan for an insider's look at one of Australia's great...
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Going it Alone

Going it Alone

King examines strategies for making low budget feature films without pre-sales.
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The Art of Walking Backwards: How to Make a Documentary for NZ$12,000

The Art of Walking Backwards: How to Make a Documentary for NZ$12,000

Lau who walked five hundred kilometres from Auckland to Cape Reinga, New Zealand's spiritual tip, to make a documentary...
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(Pan-)Animal Magics: Ecofeminist Ethics and Aesthetics in The Web

(Pan-)Animal Magics: Ecofeminist Ethics and Aesthetics in The Web

Rutheford examines the work of feminist animators Lucinda Clutterbuck, Sarah Watt and Elisa Argenzio and their concern...
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Gearing Up for Digital Cinema in Australia

Gearing Up for Digital Cinema in Australia

Bresciani's article is concerned with how the Australian film industry perceives the future of digital cinema in this...
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Innovating the Digital: Universities, Industry and research Came Together for Little Girl Blue

Innovating the Digital: Universities, Industry and research Came Together for Little Girl Blue

Chandler examines Anna Luif's film shot on HD-CAM, Little Blue Girl, the result of research collaboration between three...
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Jon Hewitt on Bloodlust

Jon Hewitt on Bloodlust

Bancks speaks to Jon Hewitt about the dark nature of his oeuvre, his growing up, influences and his low budget...
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Matthew Barney: The Cremaster Cycle

Matthew Barney: The Cremaster Cycle

Frost examines the work of American artist/filmmaker Matthew Barney and the sheer grandiosity of The Cremaster Cycle.
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Big Bad Wolf Creek

Big Bad Wolf Creek

Hoskin dissects the narrative structure of Wolf Creek, McLean's directorial style, performances and the film's...
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Hugo Weaving and Craig Monahan: Agents of Change

Hugo Weaving and Craig Monahan: Agents of Change

Karena's conversation with Weaving and Monahan centres on the performance and filmmaking styles and other processes...
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Young, Innocent and Ripe for Experience: Peaches

Young, Innocent and Ripe for Experience: Peaches

Pereira's article centres on the narrative structure, central characters and performances in Monahan's film.
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A Great Appetizer: The Oyster Farmer

A Great Appetizer: The Oyster Farmer

Cenere examines the story, the main protagonists and the performances in The Oyster Farmer.
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You Could do Worse: You and Your Stupid Mate

You Could do Worse: You and Your Stupid Mate

McFarlane analyses the film in the context of recent Australian comedies and American youth-targeted films, from Porky's...
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Van Sowerwine: Clara's World

Van Sowerwine: Clara's World

O'Brien speaks to the director and the producer of the seven-minute stop motion animated short selected for the Cannes...
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Been There, Done That and Lived to Tell About It!

Been There, Done That and Lived to Tell About It!

Cenere speaks with Jane Scott (Crocodile Dundee, Shine), Chris Noonan (Babe), John Weiley (Antarctica) and Al Clark (The...
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You Say You (Don't) Want a Revolution: The Resistance to Digital Cinema in Australia

You Say You (Don't) Want a Revolution: The Resistance to Digital Cinema in Australia

Gadd discusses the Digital Cinema initiative, a joint venture between some of the United States' largest motion picture...
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Turtles Can Fly and Tales of Lost Youth:An Interview With Bahman Ghobadi

Turtles Can Fly and Tales of Lost Youth:An Interview With Bahman Ghobadi

Trbic provides an overview of Ghobadi's work and discusses his film Turtles Can Fly as a return to the world of Kurdish...
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Living in Limbo: Nobody Knows, Appropriating Bombay Cinema: Why the Western World Gets Bollywood so Wrong?

Living in Limbo: Nobody Knows, Appropriating Bombay Cinema: Why the Western World Gets Bollywood so Wrong?

Freda Freiberg discusses Nobody Knows and Hirokazu's contemplative cinema far removed from the popular commercial film...
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Roses and Lotuses: A Tale of Two Sisters, Chokher Bali and Aishwarya Rai

Roses and Lotuses: A Tale of Two Sisters, Chokher Bali and Aishwarya Rai

Dave Hoskin argues against homogenizing Asian horror films. Hoskin discusses the parallels between recent Japanese,...
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Scribes on Screen: C.A. Lejeune

Scribes on Screen: C.A. Lejeune

This article is a part of Scribes on Screen series published in metro magazine. Armstrong writes about one of the most...
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Jobs for the Girls? Affirmative Action in the Australian Film Industry

Jobs for the Girls? Affirmative Action in the Australian Film Industry

Davidson's article examines the position of women in the Australian film industry and reveals some disturbing trends...
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Blind Spot: Looking for Esther Eng

Blind Spot: Looking for Esther Eng

Bren discusses the work of the first Chinese female director, Esther Eng, who worked in China, Hong Kong and the United...
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WIFT Works for Women: A Short History on How to marry Filmmaking With Feminism

WIFT Works for Women: A Short History on How to marry Filmmaking With Feminism

Tomsic examines the history, purpose, ideology and activities of WIFT (Women in Film and Television).
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Searching for a Moment of Perfect Emptiness

Searching for a Moment of Perfect Emptiness

Writer-Director Rachael Lucas and her Assistant Director and Producer sister, Naomi, talk to Bruce Andrews about Bondi...
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How Can We Know the Dancer from the Dance? A Personal Look at Documentary Form and Technology

How Can We Know the Dancer from the Dance? A Personal Look at Documentary Form and Technology

Ansara's revealing, poetic article discusses the interplay of documentary form and technology, focusing on the...
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Love I Love: The Figurative Economy of Tom White

Love I Love: The Figurative Economy of Tom White

Mules challenges the critical interpretations of Tom White as a psychological realist film about the angst of white...
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Machinima and the Filmmaker's Virtual Immersion

Machinima and the Filmmaker's Virtual Immersion

The modern era of digital video cameras and cheap home computer editing systems is often lauded as the great digital...
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Pot and Prejudice: Australian Media Coverage of the Corby Saga

Pot and Prejudice: Australian Media Coverage of the Corby Saga

John Schwartz points out that the media coverage of the Schapelle Corby trial should figure prominently in the...
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Tsunami or 'When Disaster Finally Found its Paparazzi'

Tsunami or 'When Disaster Finally Found its Paparazzi'

Aoun's article in the Idiot's Box section focuses on the commercial approach to disaster news and the reaction of...
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