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When the Film Recognizes 'You'

When the Film Recognizes 'You'

What do you do when you have a script based on the assumptions pertaining to the Cold War and the 'war' no longer...
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The Independence of Form: The 19th Hong Kong International Film Festival

The Independence of Form: The 19th Hong Kong International Film Festival

This article is an analysis of the 19th Hong Kong International Film Festival ,which took place between 7–22...
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Melbourne and Sydney Film Festival Reviews: Documentary Films

Melbourne and Sydney Film Festival Reviews: Documentary Films

In this year (1995) in which the centenary of cinema is being celebrated, it is worth remembering that the cinema began...
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The Sleep of Reason

The Sleep of Reason

Is it possible for the human imagination to come to terms with events such as the Holocaust and the atomic bombing of...
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Latcho Drom

Latcho Drom

As flames lick the screen against a dark sky at the start of Latcho Drom (Tony Gatlif, 1993), a disembodied voice...
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Getting What You Want on Screen: A Filmmaker's Guide to Defamation, and Privacy Laws

Getting What You Want on Screen: A Filmmaker's Guide to Defamation, and Privacy Laws

This paper sets out, in executive summary form, some of the rules and laws in relation to defamation and privacy laws in...
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Teaching Documentary

Teaching Documentary

What are we trying to do when we 'teach documentary' and where do questions about the ethics of documentary filmmaking...
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Hidden Truths: Independent Documentary in China

Hidden Truths: Independent Documentary in China

Since the Tiananmen Massacre has driven the Democracy Movement underground, the separation between China's new...
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Documenting the Nation: A Personal Evaluation of Australia's Documentary Regime

Documenting the Nation: A Personal Evaluation of Australia's Documentary Regime

The brief I was given for this paper was to comment on the accords the Australian Film Finance Corporation has entered...
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The Commonwealth Film Unit: Predecessors and Precursors

The Commonwealth Film Unit: Predecessors and Precursors

Recently (at the time of writing in 1995) the Commonwealth Film Unit, and it's predecessor, the Film Unit of the...
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The Documentary Caught in a Web?

The Documentary Caught in a Web?

Documentary is on the verge of a paradigm shift which may see it change form completely. It is not the first time.
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Representing the Unthinkable: Non-fiction Film in the Nuclear Age

Representing the Unthinkable: Non-fiction Film in the Nuclear Age

This paper explores the artistic decisions and strategies of participating filmmakers in rendering meaning to 'the...
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Machine Talk

Machine Talk

This article is the text to a conference paper given by Steve Fagin in November 1992 in the USA. It is the writer's...
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Executions'

Executions'

To my critics, I, producer ofExecutions, am the documentary filmmaker from hell – sleaze monger, death profiteer,...
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Camcorder Cults

Camcorder Cults

Suddenly, camcorder footage is everywhere (at the time of writing in 1995). After twenty years as the poor cousin of...
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Rape, Race and Religion: Ways of Speaking about Enforced Military Prostitution in World War II

Rape, Race and Religion: Ways of Speaking about Enforced Military Prostitution in World War II

Throughout the fist eight months of 1995, the Australian media (print, radio and television) indulged in an orgy of...
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Beastly Stories

Beastly Stories

Natural history programs offer us grandstand views into the 'everyday' of nature. They're probably the most common...
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In the Shadow of the Stars: Realist Doco, Backstage Musical or Towards an Ultimate Utopian Warehouse Party

In the Shadow of the Stars: Realist Doco, Backstage Musical or Towards an Ultimate Utopian Warehouse Party

The mapping of strands and the classification of types across the broad history of documentary cinema production can...
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One Hand Clapping: The TV Documentaries of John Pilger

One Hand Clapping: The TV Documentaries of John Pilger

John Pilger employs the television documentary in the way the eighteenth- and early nineteenth-century radicals employed...
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Still Under Question: The Studio for the City

Still Under Question: The Studio for the City

If Rupert Murdoch thought that his Fox Studio would be wholeheartedly welcomed by the film industry, by Sydney, by...
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On a Screen Near You: Cyberporn' (DeWitt, 7/3/95): A Detailed Critique of the 'TIME' Article

On a Screen Near You: Cyberporn' (DeWitt, 7/3/95): A Detailed Critique of the 'TIME' Article

This article is a detailed critique of the Time article 'On A Screen Near You: Cyberporn' (DeWitt, 7/3/95).
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Catching Hold of a Greasy Pig: The Regulation of Content in Cyberspace

Catching Hold of a Greasy Pig: The Regulation of Content in Cyberspace

Few readers would have missed seeing the 3 July 1995 edition of Time magazine whose cover story shouted 'Cyberporn' to...
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When It's Good It's Good: 'Morning of the Earth'

When It's Good It's Good: 'Morning of the Earth'

Ken Sallows writes about Morning of the Earth (Albert Falzon, 1971), a film that influenced his work as an editor.
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Schizoid Clio: 'The Hand That Signed the Paper'

Schizoid Clio: 'The Hand That Signed the Paper'

As with visual representations of the Holocaust, fictional accounts of one of the greatest traumas of the twentieth...
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Taming the 'Media Monsters': Cultural Policy and Sports TV

Taming the 'Media Monsters': Cultural Policy and Sports TV

If an omniscient content or audience analyst were to measure coverage in all media and in bar-rooms, bus queues and...
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Colouring in David Lynch's Cinema

Colouring in David Lynch's Cinema

This paper contextualises David Lynch's cinema in terms of the pervasive legacy of surreal cinema that has coloured many...
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The Death of Photography Revisited

The Death of Photography Revisited

Reports of the death of photography have been remarkably frequent, and generally wildly exaggerated. We are now (at the...
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The Age of Innocence': Scorsese Meets Edith Wharton and Edith Wharton Meets Her Match

The Age of Innocence': Scorsese Meets Edith Wharton and Edith Wharton Meets Her Match

There is a wonderful shot about twenty minutes into Martin Scorsese's The Age of Innocence (1993): it is a long shot of...
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Hitching Posts

Hitching Posts

Hitchcockian elements have been adopted and creatively reworked by filmmakers as distinctive and as diverse as Nicolas...
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A Vital Voice: indigenous Drama

A Vital Voice: indigenous Drama

In June of 1995, the Australian Film Institute announced an Australian Film Commission / SBS television series of visual...
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