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The National Film and Sound Archive at Twenty-Five

The National Film and Sound Archive at Twenty-Five

Ray Edmondson, a former deputy director of the NFSA, reflects on the triumph of long-term advocacy.
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The National Film and Sound Archive Since 2008

The National Film and Sound Archive Since 2008

The NFSA's Darryl McIntyre and Ann Landrigan look at the progress the archive has made since it became an independent...
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Aggressive Hospitality: Wake in Fright

Aggressive Hospitality: Wake in Fright

While Ted Kotcheff's 1971 film Wake in Fright is clearly a product of its time, it is its sense of out-of-control...
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Punk Moments: A Conversation with Richard Lowenstein

Punk Moments: A Conversation with Richard Lowenstein

In 1986, Richard Lowenstein directed Dogs in Space, a look back at Melbourne's punk and post-punk scenes of the late...
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Win and Lose: Subculture and Social Difference in Dogs in Space

Win and Lose: Subculture and Social Difference in Dogs in Space

Lesley Speed takes a closer look at a cult classic's snapshot of Melbourne's post-punk subculture.
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Michael Jackson: The Man in the Mirror - Idiot's Box

Michael Jackson: The Man in the Mirror - Idiot's Box

This installment of Idiot's Box looks at the late Michael Jackson, with a particular focus on his videos.
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Where the Wild Things Are and the Concept of the 'Kids' Movie'

Where the Wild Things Are and the Concept of the 'Kids' Movie'

Peter Gutiérrez argues that Spike Jonze's Where the Wild Things Are is both the purest kids' movie ever and the...
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I'm Gonna Live for Fifteen Minutes: Fame in the Twenty-first Century

I'm Gonna Live for Fifteen Minutes: Fame in the Twenty-first Century

Myke Bartlett examines conceptions of fame in the twenty-first century, with a focus on the 2009 remake of the film...
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War from All Angles: Exploring Gallipolli: The First Day

War from All Angles: Exploring Gallipolli: The First Day

It's not always easy to get students interested in the story of Gallipoli, but Gallipoli: The First Day, a 3D...
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Totalitarianism in the Classroom: The Wave

Totalitarianism in the Classroom: The Wave

A study guide on The Wave (2008). The Wave is an excellent classroom resource for senior History and English, and is...
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Processing and Printing with Gelatin Silver Photography: A Guide for Teachers and Students

Processing and Printing with Gelatin Silver Photography: A Guide for Teachers and Students

A guide to gelatin silver photography by Andrew Renaut. Includes advice on setting up the darkroom, developing prints,...
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Drawing Nature: The First Century of Photography. Part One

Drawing Nature: The First Century of Photography. Part One

This two-part series aims to provide resource materials for secondary and tertiary teachers of Media, Photography and...
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Film for Advanced Readers in Early Primary: Using Film to Sustain and Extend Literacy

Film for Advanced Readers in Early Primary: Using Film to Sustain and Extend Literacy

Anne Vize writes that film as text can be useful for teaching more advanced readers. It can provide a tool for engaging...
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Getting Sentimental about the Bloke: An Australian Classic Restored

Getting Sentimental about the Bloke: An Australian Classic Restored

This article discusses how secondary and tertiary teachers of English, Film Studies and Media Studies might use the...
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Identity and the Uncanny: A Coraline Study Guide

Identity and the Uncanny: A Coraline Study Guide

A study guide on Coraline. Coraline poses unique challenges for educators: it contains a wealth of aesthetic, narrative...
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Reality is Dangerous: The Player as Film Noir

Reality is Dangerous: The Player as Film Noir

This Film as Text on The Player (Robert Altman, 1992) by Jay Daniel Thompson argues that the film borrows liberally from...
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Aliens: Locating the Monsters

Aliens: Locating the Monsters

This Film as Text on Aliens (James Cameron, 1986) by Kim Edwards explores the film through its binaries and its...
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Competing Realities in Wag the Dog

Competing Realities in Wag the Dog

A Film as Text on Wag the Dog (Barry Levinson, 1997) by Andrew Doyle. The film is a modern exposé of government...
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Lighting the Lamp: Jane Campion's Bright Star

Lighting the Lamp: Jane Campion's Bright Star

Jane Campion's Bright Star is suffused with romance, sensuality and an abundance of light, writes Fincina Hopgood. The...
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Lost Boys: The Boys are Back

Lost Boys: The Boys are Back

The Boys are Back (Scott Hicks, 2009) offers a surprisingly subversive take on a favourite Hollywood tale, writes Dave...
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The Quirky Working Class: Prime Mover

The Quirky Working Class: Prime Mover

David Caesar's Prime Mover (2009) inventively combines social realism and surrealism but falls victim to an...
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Trucks, Dreams, Reality and Contrast: David Caesar on Prime Mover

Trucks, Dreams, Reality and Contrast: David Caesar on Prime Mover

Working with trucks on his latest feature film Prime Mover proved harder than expected for Australian writer/director...
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Kitchen Nightmares: What Into the Shadows Says about the Local Film Industry

Kitchen Nightmares: What Into the Shadows Says about the Local Film Industry

Distributor Gil Scrine brings his first-hand knowledge of the Australian exhibition and distribution landscape to his...
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Who is Watching?: Lessons from a Life in Australian Film

Who is Watching?: Lessons from a Life in Australian Film

Michael Domeyko Rowland reflects on his extensive filmmaking career and argues that if Australian films are to succeed,...
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Documentary Film Students, What's the Story?

Documentary Film Students, What's the Story?

The craft of documentary filmmaking requires more than technical knowledge, writes Leanne Pooley. Reflecting on recent...
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Cinema and the Australian North: Tracking and Troping Regionally Distinct Landscapes via Baz Luhrmann's Australia

Cinema and the Australian North: Tracking and Troping Regionally Distinct Landscapes via Baz Luhrmann's Australia

Stephen Carleton tackles the swag of mythic associations invoked by the landscapes of northern Australia in order to...
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The Experimental Film Landscapes of Paul Winkler

The Experimental Film Landscapes of Paul Winkler

Alex Gerbaz's archival research draws attention to the neglected area of Australian experimental film, offering...
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NFSA's Atlab/Kodak Cinema Collection: Patrick White's The Night the Prowler

NFSA's Atlab/Kodak Cinema Collection: Patrick White's The Night the Prowler

An NFSA Atlab/Kodak essay on Patrick White's The Night the Prowler, by Deb Verhoeven. Verhoeven writes that 'at its most...
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That Joke Isn't Funny Anymore: Comedy, Controversy and the Changing Audience

That Joke Isn't Funny Anymore: Comedy, Controversy and the Changing Audience

At the end of a controversial year on Australian television and radio, Myke Bartlett explores the fine line between...
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Reality Really Does Bite: Dead Set and the Development of Reality TV

Reality Really Does Bite: Dead Set and the Development of Reality TV

Zombies attack the Big Brother house in Dead Set, but this gory spoof has something real to say about the evolving...
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