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Smoke and Mirrors in Citizen Kane

Smoke and Mirrors in Citizen Kane

This Film as Text explores Citizen Kane (Orson Welles, 1941) considering the meaning of the title, the film's blending...
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All that Jazz: The Tender Hook

All that Jazz: The Tender Hook

While The Tender Hook (Jonathan Ogilvie, 2008) is an evocative and beautifully shot noir film with thriller elements, it...
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Ozploitation Revisited: Not Quite Hollywood

Ozploitation Revisited: Not Quite Hollywood

The main intent of Not Quite Hollywood, Mark Hartley's documentary on Australian commercial genre cinema of the 1970s...
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The Wizards of Oz: Behind the Scenes of Not Quite Hollywood

The Wizards of Oz: Behind the Scenes of Not Quite Hollywood

Cynthia Karena speaks to Mark Hartley about Not Quite Hollywood, as well as one of the subjects of the film, including...
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Straight Talk, Crooked Business

Straight Talk, Crooked Business

Set in the Gold Coast criminal underworld, Chris Nyst's directorial debut, Crooked Business, is a rare example of good...
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From Gidget to Surf Nazis to Newcastle: The Genre of the Surfing Flick

From Gidget to Surf Nazis to Newcastle: The Genre of the Surfing Flick

Michael Kitson looks at Dan Castle's debut feature, Australian surf movie Newcastle, and situates it in the surfing...
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A Pashtun Boy in Search of the Future: Son of a Lion

A Pashtun Boy in Search of the Future: Son of a Lion

Benjamin Gilmour's subtle, measured portrayal of a young Pashtun boy and his family, Son of a Lion, mounts a quiet...
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Guerrilla Tactics: The Making of Son of a Lion

Guerrilla Tactics: The Making of Son of a Lion

Benjamin Gilmour speaks with Sarah Tracton about the making of Son of a Lion. Gilmour collaborated with Pashtun locals...
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In the Scene: Thoughts on the Melbourne International Film Festival 2008

In the Scene: Thoughts on the Melbourne International Film Festival 2008

Rjurik Davidson muses on the familiar faces, the freaks and even some of the films at the 2008 Melbourne International...
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Over and Over Again?: Wong Kar-wai's My Blueberry Nights

Over and Over Again?: Wong Kar-wai's My Blueberry Nights

Wong Kar-wai's first English-language film, My Blueberry Nights, may boast a Hollywood cast and locate itself in the...
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A Lull in the Neighbourhood: Asian Cinema at the 2008 Melbourne International Film Festival

A Lull in the Neighbourhood: Asian Cinema at the 2008 Melbourne International Film Festival

At the 2008 Melbourne International Film Festival, among experimental documentaries, heartbreaking wrestling films,...
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My Name is Johnny: Bollywood Noir

My Name is Johnny: Bollywood Noir

Lidia Ostepeev traces the origins of a recent trend towards darker themes in popular Indian cinema and analyses a modern...
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Scribes on Screen: Geoffrey Nowell-Smith

Scribes on Screen: Geoffrey Nowell-Smith

This instalment of Scribes on Screen looks at Geoffrey Nowell-Smith, one of the leading writers on Italian cinema...
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The Comedian Comedies: George Wallace's 1930s Comedies, Australian Cinema and Hollywood

The Comedian Comedies: George Wallace's 1930s Comedies, Australian Cinema and Hollywood

Lesley Speed analyses five important films from one of Australia's great forgotten comic personalities, George Wallace....
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King of the Coral Sea: A Royal Achievement

King of the Coral Sea: A Royal Achievement

Stephen Vagg looks back at a significant Australian film of the 1950s, Lee Robinson's King of the Coral Sea (1953) and...
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The Story of the Kelly Gang: A Post-mortem

The Story of the Kelly Gang: A Post-mortem

Anthony Buckley weighs into the debate over one of the most important – and contentious – pieces of early...
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The NFSA's Kodak/Atlab Cinema Collection: Sunday Too Far Away

The NFSA's Kodak/Atlab Cinema Collection: Sunday Too Far Away

This instalment of the Kodak/Atlab Cinema Collection essays, by Adrian Danks, examines Sunday Too Far Away (Ken Hannam,...
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Making it on Your Own: Australian Indigenous Television

Making it on Your Own: Australian Indigenous Television

Two years on from the controversial 'usurping' of Indigenous Community Television by National Indigenous Television,...
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The Big Picture: Beyond the Box Office - Why Australia's DVD Retail Market Continues to Grow in the Face of Global Decline

The Big Picture: Beyond the Box Office - Why Australia's DVD Retail Market Continues to Grow in the Face of Global Decline

This instalment of The Big Picture examines the economic indicators of retail DVD sales in Australia, the rise over the...
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Out and Reel: Australian Queer Screen in an International Market

Out and Reel: Australian Queer Screen in an International Market

Australian queer film and video is thriving internationally despite its low yield and the difficulties of finding...
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The Cannibal Convict: Nial Fulton on The Last Confession of Alexander Pearce

The Cannibal Convict: Nial Fulton on The Last Confession of Alexander Pearce

Nial Fulton tells John Hagan about his television production for the ABC, The Last Confession of Alexander Pearce, one...
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A Treasured Memory: The Chifleys of Busby Street

A Treasured Memory: The Chifleys of Busby Street

Filmmakers Andrew Pike and Robin McLachlan speak to Bruce Andrews about 'community memory' and the making of their...
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Through the Lens: Interviews from the Australian Theory and Criticism Project: Introduction and Stuart Cunningham

Through the Lens: Interviews from the Australian Theory and Criticism Project: Introduction and Stuart Cunningham

This interview by Noel King derives from an ARC-funded project entitled Australian Film Theory and Criticism, which...
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Ned Kelly vs The Proposition: Contrasting Images of Colonialism, Landscape and the Bushranger

Ned Kelly vs The Proposition: Contrasting Images of Colonialism, Landscape and the Bushranger

Rebekah Brammer considers how two very different Australian films – Ned Kelly (Gregor Jordan, 2003) and The...
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Adolescence and Abuse: Trauma and the Socio-sexual Abject in John Duigan's Lawn Dogs

Adolescence and Abuse: Trauma and the Socio-sexual Abject in John Duigan's Lawn Dogs

Issues of class, sexuality and subversion lurk beneath pristine suburban lawns as Leonie Rutherford analyses the...
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Anti-hero Jr: Eagle vs Shark and Indie Cinema's Regress to the Permachild

Anti-hero Jr: Eagle vs Shark and Indie Cinema's Regress to the Permachild

Through the lens of New Zealand's Eagle vs Shark Vivien Silvey explores a new strand of indie cinema – the...
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The First Cut is the Deepest: Dexter (Idiot's Box)

The First Cut is the Deepest: Dexter (Idiot's Box)

In this instalment of Idiot's Box, Steven Aoun looks at Dexter, writing that it provides an answer to the question of...
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There's a Lot Going on in Australia: Baz Luhrmann's Claim to the Epic

There's a Lot Going on in Australia: Baz Luhrmann's Claim to the Epic

Brian McFarlane reviews Baz Luhrmann's Australia. He looks at its supposed 'epic' nature and what this really means,...
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The Horror! The Horror!: Tasmania's Cannibal History on the Silver Screen

The Horror! The Horror!: Tasmania's Cannibal History on the Silver Screen

The story of Alexander Pearce, Van Diemen's Land convict and cannibal, has moved from the recesses of Australia's dark...
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The Right Time and the Right Project and the Right Support: Men's Group's John L. Simpson on New Directions in Distribution

The Right Time and the Right Project and the Right Support: Men's Group's John L. Simpson on New Directions in Distribution

With the success of The Jammed and Men's Group, and his recent AFI Fellowship win, John L. Simpson is in a unique...
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