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Sex, Violence and Videotape - Making the Hard Calls On New Zealand Broadcasting Content

Sex, Violence and Videotape - Making the Hard Calls On New Zealand Broadcasting Content

'Gritty drama like 'The Sopranos' and 'Six Feet Under', and niche shows like 'Sex in the City' and 'The Middle of the...
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'Rain' and the Tradition of Art Cinema in New Zealand

'Rain' and the Tradition of Art Cinema in New Zealand

'While 'Rain' (Christine Jeffs, 2001) is a film overtly steeped in New Zealand culture and landscape, from one...
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'Whale Rider' and the Politics of Location

'Whale Rider' and the Politics of Location

'Whale Rider' (Niki Caro, 2002) is being widely proclaimed as a return to form for New Zealand cinema and film-makers,...
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'Enjoy Death, Arsehole!' 'Grand Theft Auto: Vice City' (Idiot's Box)

'Enjoy Death, Arsehole!' 'Grand Theft Auto: Vice City' (Idiot's Box)

Aoun investigates the new video game 'Grand Theft Auto: Vice City' in which a player can create a gang war, travel...
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Some Significant Women in Australian Film - A Celebration and a Cautionary Tale

Some Significant Women in Australian Film - A Celebration and a Cautionary Tale

A transcript of the 2002 ScreenSound Australian Longford Lyell Lecture, delivered by film producer Jan Chapman on the...
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'Between Fact and Fiction': Speculating on the Documentary with John Hughes

'Between Fact and Fiction': Speculating on the Documentary with John Hughes

'John Hughes trained as a cameraman with the ABC before turning to the world of independent film-making where his...
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The World's Smallest Cinema: The World's Largest Photobooth

The World's Smallest Cinema: The World's Largest Photobooth

'Only a short distance from the largest cinema screen format in the world (IMAX at the Melbourne Museum) can be found...
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Cutting a Long Story Short: An Interview With Editor Roberta Horslie

Cutting a Long Story Short: An Interview With Editor Roberta Horslie

'Roberta Horslie ASE is an energetic, capable, intelligent, generous and passionate film editor and stalwart of the...
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From 'Mad Max' to 'Pitch Black': Cinematographer David Eggby

From 'Mad Max' to 'Pitch Black': Cinematographer David Eggby

'Anyone who has seen examples of David's lighting, such as the superb 'film darkness' he created in the tunnel scenes of...
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Claustrophobic Reckonings in 'Tape'

Claustrophobic Reckonings in 'Tape'

'Watching 'Tape' (Richard Linklater, 2002) is analogous to walking into the most unpleasant of situations, a venture...
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Not Drowning: 'Swimming Upstream'

Not Drowning: 'Swimming Upstream'

'Swimming is the sport the rest of the world most closely associates with Australia. It has long held a privileged place...
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Is The Great Australian Comedy Disco-Dead? 'You Can't Stop The Murders'

Is The Great Australian Comedy Disco-Dead? 'You Can't Stop The Murders'

'To answer the headline question: No. This DIY shaker, 'You Can't Stop The Murders', is a testament to that. It's alive,...
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Threads of Resemblance in New Australian Gothic Cinema

Threads of Resemblance in New Australian Gothic Cinema

This article looks at the 'Australian Gothic' in Australian film history. They discuss the arguments of critics Heidi...
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Racing Ahead With 'Dalkeith'

Racing Ahead With 'Dalkeith'

'Someone once said, 'You can always tell the pioneers. They're the ones with the arrows in the ass.' Next time you see...
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Manga Is From Mars: 'Cowboy Bebop'

Manga Is From Mars: 'Cowboy Bebop'

'Cowboy Bebop: The Movie' isn't the best movie you're going to see this year but the animation is terrific, the...
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'Saathiya': South Asian Cinema Otherwise Known As 'Bollywood'

'Saathiya': South Asian Cinema Otherwise Known As 'Bollywood'

'Interest in popular Indian cinema, commonly known as Bollywood, and its global culture has literally exploded. What was...
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Royalty and Goodwill Behind The First International Film Festival

Royalty and Goodwill Behind The First International Film Festival

Ruth Hessey reports on the first Bangkok International Film Festival, January 2003. The festival was supported by Mrs...
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Save Our Homes: Activist Documentaries 1970-1985

Save Our Homes: Activist Documentaries 1970-1985

'The impetus for this discussion has come from thinking about how documentary film and film-makers have engaged with...
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Doco-Makers Take On The Big Issues At The 2003 AIDC

Doco-Makers Take On The Big Issues At The 2003 AIDC

'Conference director Catherine Marciniak's personal goal for the 2003 Australian International Documentary Conference...
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State of the Art: Matte Painters-A Secret World of Illusion

State of the Art: Matte Painters-A Secret World of Illusion

'The tradition of matte painting and the history of motion picture have been inextricably linked for more than a...
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Chinese Epic, Australian Heroes: 'Hero'

Chinese Epic, Australian Heroes: 'Hero'

'With the development of digital technology, the role of the visual effects specialist has risen to new status. Working...
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All Those In Favour Of Little Green Oases: 'Crackerjack'

All Those In Favour Of Little Green Oases: 'Crackerjack'

'If you had only seen a few Australian features in the last years you might have felt that the Bowling Club had emerged...
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Having A Crack At Jazzing Up Bowls: Hunter Cordaiy Speaks to Paul Moloney, Director of 'Crackerjack'

Having A Crack At Jazzing Up Bowls: Hunter Cordaiy Speaks to Paul Moloney, Director of 'Crackerjack'

'"Crackerjack" is an Australian feature which looks and sounds like the best of renaissance films from the 1970s. It has...
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'The Quiet American': A Critique In Three Parts

'The Quiet American': A Critique In Three Parts

Phillip Noyce's 'The Quiet American' 'was eventually sold to Miramax and previewed in New York mere days after the...
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Alex Proyas Lifts The Shades

Alex Proyas Lifts The Shades

Priscella Engall talks to Alex Proyas, director of 'The Crow' and 'Dark City'. He tells of his inspirations and current...
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Gold Fever: 'The Nugget'

Gold Fever: 'The Nugget'

'As "The Nugget" opens, we find ourselves in familiar territory: the bush, that most quintessential of Australian...
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An Underdog Of Australian Cinema: Fred Schepisi

An Underdog Of Australian Cinema: Fred Schepisi

'After seeing Fred Schepisi's latest film "Last Orders" (2001) I found myself wondering, why isn't Fred Schepisi like...
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'Lord of the Rings: The Two Towers' - The Two Gollums . . . and the Unbearable Chasteness of Being Jackson's Second Child

'Lord of the Rings: The Two Towers' - The Two Gollums . . . and the Unbearable Chasteness of Being Jackson's Second Child

'The schizoid sequel to last years "Fellowship" is an intermittently resplendent affair, despite a waterlogged middle...
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The Home Front: 'A Wedding in Ramallah'

The Home Front: 'A Wedding in Ramallah'

'Sherine Salama told an audience at Melbourne's Nova Cinema that when she made "A Wedding In Ramallah" she set out to...
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A Documentary Funding Tale - With A Happy Ending

A Documentary Funding Tale - With A Happy Ending

Gandolfo tells of not losing faith in a cause you think worthy. She has fought for five years to get the funding to...
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