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There Are No Rules': The Film Teaching of Alexander Mackendrick

There Are No Rules': The Film Teaching of Alexander Mackendrick

In 1969, Alexander Mackendrick, still at the height of his powers as a film director, quit the industry and, at age...
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Irma Vep: La femme d'Est

Irma Vep: La femme d'Est

Olivier Assayas is interviewed by Raffaele Caputo, Rolando Caputo and Clare Stewart about writing for Cahiers du Cinema...
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Pastel Romances: The Teen Films of John Hughes

Pastel Romances: The Teen Films of John Hughes

For many cinema-goers, the films of John Hughes have come to typify the 1980s teen movie. Hughes' teen films focus on...
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Fighting Woman: Cheng Pei-pei (and King Hu Legacy)

Fighting Woman: Cheng Pei-pei (and King Hu Legacy)

This article incorporates a September 1997 interview with Cheng Pei-pei in Hong Kong plus her recent update on I Go, Oh...
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Life, Art, and the Michael Thomas Moment

Life, Art, and the Michael Thomas Moment

David Matthews writes about the book and subsequent film version of Nick Hornby's novel Fever Pitch.
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Boxing Ada: Jane Campion's 'The Piano'

Boxing Ada: Jane Campion's 'The Piano'

Holly Hunter's Academy Award for playing Ada, the wilfully dumb heroine of The Piano (Jane Campion, 1993), puts her in a...
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Screenspeak: The Revenge of the Oral

Screenspeak: The Revenge of the Oral

The speed and scope of the communications revolution means we are living on the cusp of something crucial in history.
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We Live in a Country of Earthquakes': China's Independent Documentary Filmmakers

We Live in a Country of Earthquakes': China's Independent Documentary Filmmakers

China's documentary films have been overshadowed by its remarkable feature film successes over the past decade. But in...
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A Practitioner's View of Classification and Regulation in Britain

A Practitioner's View of Classification and Regulation in Britain

This paper looks at classification and censorship from a hands-on point of view, examining the role of the...
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Apropos of Maggie

Apropos of Maggie

This article on Maggie Cheung was first published in Italy in Il cinema di Hong Kong – Spade, kung-fu, pistole,...
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Euphoria and Liberating Laughter: The Cinema of Sergio Leone

Euphoria and Liberating Laughter: The Cinema of Sergio Leone

This text was delivered as the Second Ivan Hutchinson Memorial Lecture, Melbourne International Film Festival, 26...
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Tellin' Ya

Tellin' Ya

Raw FM, the ABC's recent TV series set in a community radio station staffed by young people and operating on a temporary...
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Aren't You Wearing Death?

Aren't You Wearing Death?

My first hunch was that the function of advertising is as much about selling an image as it is about selling a product...
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One on One Montreal and New York Film Festivals

One on One Montreal and New York Film Festivals

There are a hell of a lot of films at the Montreal World Film Festival. And, amazingly, there are people at all of them....
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Criticks: Sirk-ling Film Studies

Criticks: Sirk-ling Film Studies

Noel King talks to Barbara Klinger about her book Melodrama and Meaning: History, Culture, and the Films of Douglas Sirk...
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Home and Away: Australian Television's Recontextualisation of Foreign Programmes

Home and Away: Australian Television's Recontextualisation of Foreign Programmes

Continuity programming describes the television not visible in program guides – the ads, trailers, fillers,...
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Vanishing Firmament: The Passing of Mitchum and Stewart

Vanishing Firmament: The Passing of Mitchum and Stewart

In the popular imagination, much of the strength and richness of classic Hollywood resided in astonishing array of great...
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AFI Conversations on Film: Writing for the Stage, the Screen and the Tube: Deborah Cox and Andrew Bovell

AFI Conversations on Film: Writing for the Stage, the Screen and the Tube: Deborah Cox and Andrew Bovell

Second in the Australian Film Institute's Conversations on Film series, this session talks to Deborah Cox and Andrew...
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The Boys': Examination of a Family in Crisis

The Boys': Examination of a Family in Crisis

The Boys is a new Australian film that was selected for competition in the Berlin Film Festival earlier this year (at...
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At the Flicks: The Talkies'

At the Flicks: The Talkies'

This article is a review of At the Flicks: The Talkies. For the television generations of today who find it hard to...
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Sport, Triumph Displays and Masculinity

Sport, Triumph Displays and Masculinity

When the Australian cricket team defeated England in the 1997 test series, spin bowler Shane Warne showed his pleasure...
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'Kundun': Projecting Tibet

'Kundun': Projecting Tibet

Kundun depicts the early life of the Fourteenth Dalai Lama and the events leading up to his escape from Chinese-occupied...
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Lords of the Parallel Universe

Lords of the Parallel Universe

The Mass Communications Congress was held in Sydney in 1969. It declared that the airwaves belong to the people, and...
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Martin Scorsese's 'Kundun': A Melancholic Momentum

Martin Scorsese's 'Kundun': A Melancholic Momentum

It is almost impossible to avoid the conclusion that Kundun represents another Scorsesean study in male melancholy and...
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Censorship Folly

Censorship Folly

'Censorship Follies' was the lighthearted name of a forum at the 1998 Sydney Film Festival which took a very irreverent...
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Ambiguity, Perversity and 'Alien Resurrection'

Ambiguity, Perversity and 'Alien Resurrection'

Just as The Odyssey is populated with fantastic forms and survival adventures so Ripley's form and function in Alien...
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When Being a Man Is All You've Got: Masculinity in 'Romper Stomper', 'Idiot Box', 'Blackrock' and 'The Boys'

When Being a Man Is All You've Got: Masculinity in 'Romper Stomper', 'Idiot Box', 'Blackrock' and 'The Boys'

This article is an analysis of four powerful and controvesial Australian films of the 1990s that depict violent and...
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Dana Scully and Gillian Anderson: Unresolved Sexual Tension Without Mulder

Dana Scully and Gillian Anderson: Unresolved Sexual Tension Without Mulder

If the
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Only One Day at the Beach: 'Dark City' and Australian Filmmaking

Only One Day at the Beach: 'Dark City' and Australian Filmmaking

For many critics, Alex Proyas' Dark City is something of a disappointment. 'Sure it looks terrific but …' seems a...
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AFI Conversations on Film: 'My First Feature in the Cannes': Samantha Lang, Pamela Rabe and Mandy Walker

AFI Conversations on Film: 'My First Feature in the Cannes': Samantha Lang, Pamela Rabe and Mandy Walker

Pamela Rabe, Samantha Lang and Mandy Walker are interviewed by Deb Verhoeven on the process of making the feature film...
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