Metro #214

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 has something for everyone – from the avid film fan to the seasoned theorist.Metro provides readers with comprehensive coverage of the region’s screen industries, and features writing by some of our foremost academics, critics and industry members. Also featuring reviews of the latest local titles as well as interviews with prominent filmmakers, Metro is Australia’s premier film and media quarterly. It is independent, outspoken and passionate about film, TV and new media from Australia, New Zealand and the Asia-Pacific region. First published in 1968, Metro  keeps alive the tradition of the essay, immersing readers in thought-provoking articles that are at once analytical and accessible.Metro offers a unique blend of in-depth scholarship and popular writing, capturing key trends and developments in screen culture. A partially refereed magazine, MetroCombining a wide range of topics and disciplines,  ISSUE 214 CONTENTS Regular Features ‘Scope: Screen Industry Views’ – Cameron Williams, Liz Giuffre, CJ Johnson and Nicholas Kennedy Australian and New Zealand Cinema ’ – Stephen A RussellSissy‘Bad Influence: Hannah Barlow and Kane Senes on Balancing Horror and Social Media Satire in
’– Alexandra Heller-NicholasMillie Lies Low ‘Taking Flight: Deception and Impostor Syndrome in Michelle Savill’s
’ – Barnaby SmithNude Tuesday ‘Speaking in Riddles: Sex, Comedy and Subtitles in Armağan Ballantyne’s
’ – Anthony CarewThree Thousand Years of Longing‘Spinning Tales: Myth and Magic in George Miller’s
’ – Greta ParryElvis ‘A Little Less Conversation: The Convenient Omissions of Baz Luhrmann’s
’ – Annika MorlingMoja Vesna ‘Playing Pretend: Shifting Roles in Sara Kern’s 
’ – Travis JohnsonBlaze‘Dark Symbols: Violent Awakening in Del Kathryn Barton’s Documentary  – Belinda SmaillFranklin’ ‘The Past Flows into the Future: Kasimir Burgess’
 – Susan ByeEverybody’s Oma’ ‘Life on Show: The Ethical Quandaries of Jason van Genderen’s
 – Debbie ZhouKeep Stepping’ ‘Cathartic Moves: Competition and Community in Luke Cornish’s
Rebekah Brammer –Clean’ ‘Starting Afresh: Trauma and Compassion in Lachlan McLeod’s
Kath Dooley – ‘Because We Have Each Other’  Beyond the Big Screen – Juliette SalomFirebite’  ‘Out for Blood: Identity, Colonialism and Vampires in Focus on Asia and the Middle East  – Glenn DunksBurning Days’ ‘Out of Water: Genre, Turkish Cinema and Emin Alper’s
 – Anthony CarewCosta Brava, Lebanon’ ‘No Place to Run: Inescapable Politics in Mounia Akl’s Screen Education ‘Making a Scene: Telling Stories and Engaging Audiences on TikTok’ – Kristina Chapman
’ – Steven AounPachinko and My Brilliant Friend‘Entangled Lives: Trauma, Attachment and Survival in
‘Cinema Science: Into the Multiverse’ – Dave Crewe Critical Views ’ – Cavan GallagherDingo‘Finding the Rhythm: Ambition and Responsibility in The NFSA Restores Collection ’ – Brian McFarlane‘Strictly Ballroom

SKU: M214

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