Metro #215

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AVAILABLE WHILE STOCKS LAST is Australia’s premier film and media quarterly. It is independent, outspoken and passionate about film, TV and new media from Australia, New Zealand and the Asia-Pacific region. First published in 1964, Metro provides readers with comprehensive coverage of the region’s screen industries, and features writing by some of our foremost academics, critics and industry members. Also featuring reviews of the latest local titles as well as interviews with prominent filmmakers, Metro has something for everyone – from the avid film fan to the seasoned theorist.Metro Combining a wide range of topics and disciplines, Metro offers a unique blend of in-depth scholarship and popular writing, capturing key trends and developments in screen culture. A partially refereed magazine, Metro keeps alive the tradition of the essay, immersing readers in thought-provoking articles that are at once analytical and accessible. ISSUE 215 CONTENTS Regular Features ‘Scope: Screen Industry Views’ – Jasmine Crittenden, Cameron Williams, CJ Johnson and Liz Giuffre Australian and New Zealand Cinema ’ – Rebecca WeeksWhina‘Marching Through Time: Māori History, Biographical Filmmaking and
and Multicultural Comedy’ – Andrew F PeirceWog Boys Forever‘Laughing on the Inside: Frank Lotito’s
’ – Annika MorlingThe Lonely Spirits Variety Hour‘On the Same Wavelength: Connection Through Radio in Platon Theodoris’
’– Kenta McGrathBassendream‘Suburban Fragments: Community and Bricolage in Tim Barretto’s
’ – Mel CampbellSeriously Red‘“What a Way to Make a Living”: Commodified Identity in Gracie Otto’s
’ – Danica van de VeldePetrol‘Haunting Portraits: Intimacy and Identity in Alena Lodkina’s
’ – Anthony CarewThe Stranger‘Mirror Image: Thomas M Wright on
’ – Adolfo AranjuezOf an Age‘No Turning Back: Temporality, Displacement and Desire in Goran Stolevski’s
’ – Travis JohnsonBlueback‘The Myth of the Ocean, the Reality of Water: Robert Connolly and Radha Mitchell on Documentary ’ – Thomas RedwoodYou Can Go Now‘First Person Plural: Art and Provocation in Larissa Behrendt’s
’ – Jasmine CrittendenAudrey Napanangka‘Creation, Care and Country: Penelope McDonald on
’ – Glenn DunksFire Front‘Unfolding Disaster: Reliving Black Summer in Eddie Martin’s
and Assisted Suicide on Screen’ –Adrian MartinMan on Earth‘“Enter My House Justified”: Amiel Courtin-Wilson’s
’ – Jake WilsonSenses of Cinema‘For the Record: Commemorating the Co-ops in John Hughes and Tom Zubrycki’s Focus on Asia and the Middle East ’ – Laurence BarberChildren of the Mist‘Interrupted Youth: Forced Marriage in Hà Lệ Diễm’s
’ – Anthony CarewDecision to Leave‘Open Investigations: Love and Obsession in Park Chan-wook’s Screen Education ’ – Dave CreweTop Gun: Maverick‘Cinema Science: Hitting New Speeds in
– Susan ByeWhere Is Anne Frank’‘Animating History: The Holocaust and Its Echoes in
’ – Steven AounRRR‘Stoking the Fire: The Rousing Fictions of Critical Views ’ – Neil SinyardRoadgames‘In Hot Pursuit: The Spirit of Alfred Hitchcock in The NFSA Restores Collection ’ – Gabrielle O’BrienAustralia Daze‘  

SKU: M215

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