Kitson notes that 'ver the last decade there has been a shift in cultural policy, which now sees Australia's state governments competing with one another to entice Hollywood production companies to Aussie shores and their states by providing prime real estate, giant shacks of film studios, infrastructure and tax breaks.' His article traces the production of the Hollywood blockbuster that used the pristine wilderness and extraordinary beauty of the grose valley Wilderness as backlot to stage explosive war scenes supposedly set in North Korea.
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