As with visual representations of the Holocaust, fictional accounts of one of the greatest traumas of the twentieth century are impregnated with aesthetic difficulties and political controversy. How else can we explain the, at times, hysterical responses both for and against the appearance of, and the awards heaped upon, Helen Demidenko/Darville's The Hand That Signed the Paper?
SKU: 03270-M105
Visit our website to view thousands more products like this and order online at:
ADDITIONAL INFORMATION
Price
$7.50
Condition
New
Delivers To
Australia Wide
YOU MAY ALSO LIKE
'Things Just Happen': Dealing with Fear, Loss and Uncertainty in Look Both Ways
This Film as Text explores Sarah Watt's Look Both Ways (2005), which looks at human attempts to cope with loss, death...
$7.50
Ad is on hold
New
(di)visions: The Films of Asghar Farhadi
The films of award-winning Iranian director Asghar Farhadi confront viewers with unstable truths, questionable notions...
$7.50
Ad is on hold
New
Finding an Audience: The Challenge for Australian Cinema (M112 version)
Tina Kaufman muses on the marketing of local films.
$7.50
Ad is on hold
New
'Saathiya': South Asian Cinema Otherwise Known As 'Bollywood'
'Interest in popular Indian cinema, commonly known as Bollywood, and its global culture has literally exploded. What was...
$7.50
Ad is on hold
New
The Dragon Pearl and the Chinese Connection: An Interview with Mario Andreacchio
Mario Andreacchio's film The Dragon Pearl is notable as the first film produced under the Australia–China...
$7.50
Ad is on hold
New
Beneath the Waters: Symbolism in Jindabyne
David Strange's Film as Text on Ray Lawrence's 2006 film Jindabyne. The article looks at how the director's mise en...
$7.50
Ad is on hold
New
The Politics of Melodrama in Deepa Mehta's Water
Hopgood points out that 'Water represents the maturation of Mehta as a director capable of marrying political filmmaking...
$7.50
Ad is on hold
New
(Re)discovering Stanislavsky for Actors and Screenwriters
In his revealing article, Mullins examines recent readings of Stanislavsky and their applicability for reading and...
